i. A brief section of music composed of a series of notes and flourishes.
ii. A journey by water; a voyage.
iii. The transition from one place to another, across space and time.
In one devastating night, violin prodigy Etta Spencer loses everything she knows and loves. Thrust into an unfamiliar world by a stranger with a dangerous agenda, Etta is certain of only one thing: she has traveled not just miles but years from home. And she’s inherited a legacy she knows nothing about from a family whose existence she’s never heard of. Until now.
Nicholas Carter is content with his life at sea, free from the Ironwoods—a powerful family in the colonies—and the servitude he’s known at their hands. But with the arrival of an unusual passenger on his ship comes the insistent pull of the past that he can’t escape and the family that won’t let him go so easily. Now the Ironwoods are searching for a stolen object of untold value, one they believe only Etta, Nicholas’ passenger, can find. In order to protect her, he must ensure she brings it back to them— whether she wants to or not.
Together, Etta and Nicholas embark on a perilous journey across centuries and continents, piecing together clues left behind by the traveler who will do anything to keep the object out of the Ironwoods’ grasp. But as they get closer to the truth of their search, and the deadly game the Ironwoods are playing, treacherous forces threaten to separate Etta not only from Nicholas but from her path home . . . forever
V: Oh My Gosh. I was warned my feels would die and I joked about it but I did not know how badly it would hurt. THAT ENDING. DEAD. But… I guess we should start of with something lighter. Let’s talk about Etta. I think she was a good main character and I was actually not annoyed by her at all. What do you think Liz?
L: I loved Etta as a character. When authors talk about writing strong female characters, Etta is exactly what I imagine. She is courageous and fierce. But she is also feminine and unsure of herself. Strongly written female characters don’t have to be badasses who don’t ask for help. They just have to be fully developed and well-rounded. Do you agree Veronica? And also what about Nicholas? *Swoon*
V: I 100% agree with you! I loved that Etta asked Nicholas to be her partner, not her servant, her helper, etc. It truly shows a lot about her character and what we can come to expect from her. And Nicholas. I did not expect to like him as much as I did. He is such a good male character and so far, I haven’t really found fault in him. I hope this doesn’t change. But darn him if he’s not swoon worthy and that is all I can see right now. *wiggles eyebrows* What do you think of the “villain” or “Villains” I should say? And Etta’s mom. She’s… cold. And doesn’t seem to have a motherly instinct in her.
L: Nicholas is probably one of my favorite male characters that I’ve read in a long time. (Kind of wish he was real 😉) I would also say that there is more than one villain, which I think is important to the story, to keep it moving. BUT who is actually a villain v. who is just a terrible person? Alice is precious and needs to be protected. And Etta’s mother… Ugh she’s abhorrent and probably ONLY has Etta to fulfil Rose’s wants/needs. I would define her as narcissistic.
V: I like that. Not everyone is a villain, but there are a lot of terrible people in Passenger. I can’t wait for the second book to come out. I really need to know more about Etta’s father and how the heck did Etta’s mom evade everyone?! Any last thoughts Liz?
L: I had seen this book several times, read the summary but wasn’t sure I wanted to read it. I am so glad I did. Passenger is beautifully written. Full of details. Flowery language. Alexandra Bracken has stolen my heart. And I can’t wait until Wayfarer is published.
“Possibility, dear one. Possibility.”
Rating: 5 out of 5
Disclaimer: Thank you Disney-Hyperion and NetGalley for giving Liz and I the opportunity to read this ARC in exchange for an honest review. Receiving this book for free does not influence my opinion.